Every Alien Movie In The Franchise, Ranked Worst To Best

As one of the most recognizable franchises in sci-fi horror history, looking at the Alien movies ranked shows how varied the series has been. Though Sigourney Weaver’s Ellen Ripley is an icon of both the sci-fi genre and cinema at large, the Alien movies have focused on many different characters over the years and explored the mythology of the monstrous xenomorphs and their origins. The franchise has also seen some of the most talented filmmakers in the world at the helm, with the Alien movies in order coming from Ridley Scott, James Cameron, David Fincher, and more.

After the original four movies focused around Ripley, the Alien franchise began to expand with prequels set well before the events of Alien Resurrection. Whether it’s Ridley Scott’s Alien prequel movies following Michael Fassbender’s David or Fede Álvarez’s Alien: Covenant, 20th Century has continued to look for ways to continue the series. The Alien franchise has been adaptable to new filmmakers and directions, but while certain big risks have worked beautifully, others have fallen short. The Alien movies ranked from worst to best show the low points of the series as well as how brilliant these movies can be.

Movie

Box Office

Rotten Tomatoes

Alien (1979)

$204 million

93% Critics / 94% Audiences

Aliens (1986)

$183 million

94% Critics / 94% Audiences

Alien 3 (1992)

$159 million

44% Critics / 46% Audiences

Alien Resurrection (1997)

$161 million

55% Critics / 39% Audiences

Alien vs Predator (2004)

$177 million

22% Critics / 39% Audiences

Aliens vs. Predator: Requiem (2007)

$130 million

12% Critics / 30% Audiences

Prometheus (2012)

$403 million

73% Critics / 68% Audiences

Alien: Covenant (2017)

$240 million

65% Critics / 55% Audiences

Alien: Romulus (2024)

N/A

82% Critics / 88% Audiences

9 Aliens vs. Predator: Requiem (2007)

The Worst Alien Movie

Aliens Vs. Predator: Requiem is a 2007 science fiction horror film directed by the Strause brothers. The story follows a small Colorado town that becomes the battleground for an epic confrontation between the deadly Xenomorphs and the fearsome Predator. As chaos erupts, the townspeople must fight for their lives against these formidable extraterrestrial threats. The film stars Steven Pasquale, Reiko Aylesworth, and John Ortiz.

Director
Colin Strause , Greg Strause
Release Date
December 25, 2007
Cast
Steven Pasquale , Reiko Aylesworth , John Ortiz , Johnny Lewis , Ariel Gade
Runtime
94 Minutes

The Alien vs. Predator movies have always been better conceptually than in practice, but it’s the second attempt that truly doomed the idea. Alien vs. Predator: Requiem picks up where the last movie ended and actually establishes some interesting ideas including an Alien/Predator hybrid called a “Predalien.” Requiem is also a big step up from the previous Alien vs. Predator movie in terms of on-screen deaths, fully embracing the R-rating and tallying up a massive kill count.

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However, visual spectacle alone does not make a good Alien movie, which is why it’s ranked as the worst Alien movie. The human characters in Requiem are two-dimensional, undeveloped, and mostly based on worn-out tropes. Most of them feel like they have lines in the script simply to add to the body count. As far as cinematography is concerned, Alien vs. Predator: Requiem is far too dimly lit, robbing the audience of the joy of seeing the admittedly great practical effects. Those looking for a gory monster movie will be satisfied enough, with even Fede Álvarez praising Requiem‘s kills.

8 Alien vs. Predator (2004)

The First Franchise Crossover Is Lacking

A crossover of the beloved sci-fi horror franchises Alien and Predator, Alien Vs Predator pits the two extraterrestrial killers against one another. Establishing a link between the two franchises, AvP tells the story of Predators who hunt Xenomorphs as the “ultimate prey”, sacrificing humans to the Xenomorph queen in order to make more aliens to hunt. It follows a group of scientists lured to an ancient underground pyramid in Antarctica who find themselves caught in the crossfire between the two species.

Director
Paul W.S. Anderson
Release Date
August 13, 2004

Cast
Sanaa Lathan , Raoul Bova , Ewen Bremner , Lance Henriksen , Colin Salmon

Runtime
101 minutes
Distributor(s)
20th Century

Ever since their interaction was teased in a fun Easter egg in Predator 2, fans had been waiting for an Alien vs. Predator movie — so this 2004 release being a small-scale watered-down PG-13 crossover was a significant letdown, and is rarely ranked highly among Alien movies. Alien vs. Predator’s unwillingness to cross the threshold into R-Rated territory was a baffling decision given that two of the deadliest movie monsters are sharing the screen, and the movie definitely suffered for it.

Similar to the Alien vs. Predator sequel, the movie brings in human characters to keep the conflict grounded, but none of these characters hold a torch to Ripley, or Arnold Schwarzenegger’s Dutch in Predator. Where Alien vs. Predator shows its strengths, however, is in how masterfully it weaves together the lore of the two franchises — even if this does mean it gets exposition heavy at points. The fights between the titular monsters delivered too, with some excellent action sequences showcasing the power of both the Alien and the Predator.

7 Alien Resurrection (1997)

Ripley’s Story Ends In A Disappointing Fashion

alien

After dying in Alien 3, Sigourney Weaver is back as Ellen Ripley for the fourth film in the Alien franchise. In Alien: Resurrection, a human/alien hybrid clone of Ripley prevents aliens from coming to Earth with the help of a band of space pirates. The film was directed by Jean-Pierre Jeunet and written by Joss Whedon.

Director
Jean-Pierre Jeunet
Release Date
November 26, 1997
Runtime
109 Minutes
Distributor(s)
20th Century

As Sigourney Weaver’s final appearance in the series to date, Alien: Resurrection is not a fitting end for Ripley in the Alien franchise. However, for those who watch these movies for the kills and monster action, the fourth movie delivers fairly well. The xenomorph breakout sequence inside the military facility is a particularly entertaining scene that shows off the movie’s horror elements, as well as its somewhat intentionally cheesy sense of humor. While not a stand-out installment, Resurrection is far from the worst entry when it comes to Alien movies ranked.

Not everything in Alien: Resurrection works so well, with Joss Whedon’s quippy dialogue feeling particularly out of place in the franchise. Some of the story details, including the human-xenomorph hybrid, also don’t land as intended. However, there are still elements of the sci-fi action movie that can make it enjoyable. There’s a fun supporting cast that includes Winona Ryder and Ron Perlman. It’s also significantly closer in spirit to what makes the franchise so great than the worst Alien movies. If any entry begins to separate the good Alien films from the terrible, it would be Alien: Resurrection.

6 Alien 3 (1992)

David Fincher’s Movie Is Divisive

alien 3

Alien 3 is the 1992 sequel to Aliens. Directed by David Fincher and starring Sigourney Weaver in her iconic role as Ellen Ripley, the third installment in the Alien franchise follows Ripley as she leads a group of inmates in the fight against a Xenomorph after her ship crash-lands on a prison planet.

Release Date
May 22, 1992

Cast
Sigourney Weaver , Charles S. Dutton , Charles Dance , Paul McGann , Brian Glover , Ralph Brown

Runtime
114minutes
Distributor(s)
20th Century

Alien 3 feels like the most wasted potential in the franchise to date, as it had all the ingredients to follow on from Aliens with a trilogy-ending high. Hiring music video director David Fincher for his directorial debut, the unique setting of a prison planet, and a xenomorph which chest-bursted from a dog made Alien 3 seem like a guaranteed success. Sadly, studio interference and a limited budget sent the sequel off the rails — and meant a disappointing start to Fincher’s movie career, as well as a low place among ranked Alien movies.

Things start off boldly with Alien 3 killing off Newt and Hicks in the opening scene. From the off, the dour tone of Alien 3 sets it clearly apart from James Cameron’s Aliens, although the shift wasn’t universally appreciated. To Alien 3’s credit, the iconically shaven-haired Sigourney Weaver delivers a notably powerful performance as Ripley and — though hampered by the studio — Fincher’s talents are unmistakable with some beautiful shots throughout. Sadly, the behind-the-scenes troubles are impossible to ignore in the dull and anti-climactic third act.

5 Prometheus (2012)

Ridley Scott’s Prequel Is Bold But Uneven

The news of Ridley Scott returning to sci-fi movies and the Alien franchise was met enthusiastically, and many expected the veteran filmmaker would bring the franchise back to its glory days. However, Scott was clearly not interested in simply redoing what he did in Alien, and thus Prometheus was a very different movie than expected, both in tone and content. With Prometheus, Ridley Scott seemed to be endeavoring to create a movie within the Alien universe which wasn’t explicitly an Alien movie, and this awkward approach translated to less interesting monsters and an over-emphasis on heavy exposition-filled dialogue.

While it builds the lore significantly, the answers Prometheus gives are also to questions that weren’t really asked of the franchise — if anything, the xenomorphs were more intimidating when their origin was unknown. However, Scott still delivers a beautiful-looking sci-fi movie with some bold ideas and intense sequences. Michael Fassbender is also excellent as the android David who seems as menacing as the alien threats at times, and is a more than worthy torchbearer for the legacy left by the late Ian Holm as Ash in the first Alien.

4 Alien: Covenant (2017)

A More Proper Alien Prequel

After the vague connections of Prometheus left audiences a little confused and disappointed, Ridley Scott fully embraced making another Alien movie. Scott’s Alien: Covenant was considered by some to be the best Alien movie since the unparalleled Alien and Aliens, a hugely positive sign for the franchise. Covenant brings the horror back to the xenomorphs, weaving it masterfully between some absolutely stunning visuals and suspenseful storytelling. Once again, Michael Fassbender is the movie’s standout performer, this time playing dual android roles as the trustworthy Walter and duplicitous David.

Alien: Covenant has the most brutal, bloody, graphic violence of any Alien movie — the sequence of the xenomorphs attacking helpless victims in the shower helps cement it as one of the scariest Alien movies. Katherine Waterston lives up to the legacy of Sigourney Weaver in a fantastic lead performance, while usually comic actor Danny McBride provides strong support. Though some foolish decisions by certain characters and lackluster CGI diminish the immersion at points, Alien: Covenant does make for a solid return to form.

3 Alien: Romulus (2024)

Fede Álvarez Put The Horror Back In Alien

Alien Romulus Poster Showing a Facehugger Attacking A Human

Alien: Romulus is the seventh film in the Alien franchise. The movie is directed by Fede Álvarez and will focus on a new young group of characters who come face to face with the terrifying Xenomorphs. Alien: Romulus is a stand-alone film and takes place in a time not yet explored in the Alien franchise.

Director
Fede Alvarez
Release Date
August 16, 2024

Cast
Cailee Spaeny , David Jonsson , Archie Renaux , Isabela Merced , Spike Fearn , Aileen Wu , Rosie Ede , Soma Simon , Bence Okeke , Viktor Orizu , Robert Bobroczkyi , Trevor Newlin , Annemarie Griggs , Daniel Betts

Distributor(s)
20th Century

2024 marked the return of the Alien movie franchise after a seven-year hiatus following Alien: Covenant, and seeing what director Fede Álvarez could do with the iconic property brought plenty of intrigue. Alien: Romulus strikes a surprising balance between pushing the franchise forward and building off story points from across the entire universe. Set between Alien and Aliens, its a prequel/sequel that is not afraid to take big swings with the lore, make audiences scared of xenomorphs again, and set up an exciting future for the franchise as a whole.

While all of Alien: Romulus‘ bold choices might not work for everyone, there is still a lot to like with the movie beyond that. Cailee Spaeny and David Jonsson make for particularly standout members of the cast, with Rain and Andy’s relationship providing the story with characters that are fully developed. Álvarez also does not pull any punches when it comes to depicting the various deaths that come throughout the movie. It might get too caught up in franchise connections at times, but if you buy into the wildly bold direction of Alien: Romulus‘ ending, it’s a bloody good time.

2 Aliens (1986)

Aliens Movie Poster

Aliens is a 1986 Sci-Fi classic by writer and director James Cameron. Starring Sigourney Weaver as Ellen Ripley, it’s widely considered one of the best Sci-Fi Horror films ever made. Ripley must band together with a group of Colonial Marines to investigate a disaster at a terraforming colony.

Release Date
July 18, 1986
Runtime
137 minutes
Distributor(s)
20th Century

James Cameron’s more action-oriented sequel to Alien falls just short of it. It effectively raises the stakes by switching one xenomorph out for dozens. This sequel also added a new dimension to the Ripley character as she became a sort of mother figure to young Newt. Seeing Ripley become a full-blown action hero also earned Weaver an Oscar nomination, rare in a genre movie. The cast is also filled with terrific supporting characters from the heroic Hicks to the high-strung Hudson to the sympathetic android Bishop.

Aliens wasn’t quite as groundbreaking as Ridley Scott’s original, but Cameron’s approach to making sequels is unmatched. Just as he would later do with Terminator 2, Cameron’s Aliens pitch avoided simply following the same route of the first movie and instead flipped the Alien franchise forever. Subsequent sequels have attempted to blend Scott’s atmospheric tension with Cameron’s elevated popcorn entertainment. Even if it falls slightly short of the original, Aliens is often regarded as one of the best sequels ever made.

1 Alien (1979)

Official theatrical poster for Alien (1979)

Alien, directed by Ridley Scott, is a science fiction horror film that follows the crew of the commercial spacecraft Nostromo. Upon investigating a distress signal on a distant moon, they discover a deadly extraterrestrial lifeform. The film stars Sigourney Weaver as Ripley and became a seminal work in both the sci-fi and horror genres, known for its atmospheric tension and groundbreaking visual effects.

Release Date
June 22, 1979
Runtime
117 Minutes

Ridley Scott made movie history with this 1979 sci-fi horror masterpiece, setting an impossibly high bar for all the Alien movies that followed. The movie is essentially a haunted house story, with the space setting feeling all the more unsettling. Part of the reason the rest of the franchise hasn’t surpassed Scott’s original is that they have sought to lean into the sci-fi elements of the sci-fi horror franchise, expanding in scale and scope. However, it’s the isolated and dread-inducing claustrophobia of the cramped Nostromo that makes Alien so effective — and why it’s still the best Alien movie.

However, it’s not just the utter terror Alien manages to create with a single xenomorph that earns it the top spot. While other franchise entries have struggled with flat or two-dimensional human characters, Alien‘s ensemble cast drew acclaim in their own right. Of course, Weaver’s Ripley stands out the most, transforming from supporting character to hero in an organic way that’s still touted as an example of flawless character development to this day.

The greatest contribution of Alien though is, of course, the introduction of the xenomorph itself — an undisputed benchmark in movie monster design which, much like Alien within its own franchise, arguably has yet to be matched. This is the movie that all others in the franchise are still chasing and trying to replicate or beat. But so far, nothing has quite been able to unseat Ridley Scott’s original from the top spot of most Alien movie rankings, including this one.

The Best Viewing Order For The Alien Franchise

There are multiple orders that a person could watch the Alien franchise for maximum enjoyment. Fans could watch the films in the order they were released, allowing them to see the movies as intended and watch as clues to things are dropped into later installments. However, fans can now also watch them in chronological order, which could give very different meanings to things that happened in older movies, such as how the identity of the Engineer was revealed over time.

Here is a look at the chronological order of the franchise:

Movie

Release Date

Alien vs Predator

August 13, 2004

Aliens vs. Predator: Requiem

December 25, 2007

Prometheus

June 8, 2012

Alien: Covenant

May 19, 2017

Alien

May 25, 1979

Alien: Romulus

August 16, 2024

Aliens

July 18, 1986

Alien 3

May 22, 1992

Alien Resurrection

November 26, 1997

With that in mind, the Ripley saga should be watched in order, starting with Alien and moving on to Aliens, Aliens 3, and Alien Resurrection. It might also provide entertainment to watch Alien: Romulus in between Alien and Aliens since that is where the movie took place, and it would give a small break between Ripley’s victory and her return in the next film. For the prequels, Prometheus and Covenant, where to watch them is up to the viewer. They provide historical context that can pay off no matter if viewed before or after the Ripley saga.

It is up to the viewer in the end what experience they want from watching the films. Other than the Ripley saga, there is little difference in when the movies are watched. The only thing that really comes into play is that no one needs to watch Alien vs. Predator or Aliens vs. Predator: Requiem unless they really want to. They have nothing to do with the running Aliens franchise and are often considered the weakest releases, only really meant for completionists.

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